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An early hymn was Veni Creator Spiritus (Come, Creator Spirit), attributed to Rabanus Maurus who lived in the 9th century. [1] [2] It was used in the liturgy not only for Pentecost, but also for vespers between Ascension Day and Pentecost, and for occasions such as ordination and profession. [1] Many later hymns in different languages are based ...
The Liturgy and the Offices of Worship and Hymns of the American Province of the Unitas Fratrum, or the Moravian Church (1908). [524] "The synod of 1903 authorized the Executive Board of the Church to introduce the Liturgy [section one, 119 pp.] into the same book with the Offices of Worship and Hymns [section two, 435 pp., including an ...
Pages in category "Hymns for Pentecost" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. B.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
Further hymns, written as a direct result of specifically Pentecostal experiences, were also included, such as "Of gifts and powers miraculous" and "Blow Pentecostal breeze", both by Harold Horton Although revised as the New Redemption Hymnal in 1986, the original collection was republished in 2006 by Rickfords Hill Publishing.
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
A Choice Collection of Hymns and Tunes. It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns, which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey, as well as the Holiness–Pentecostal movement. [3]
" Komm, Heiliger Geist, Herre Gott" ("Come, Holy Ghost, Lord God") is a Lutheran hymn for Pentecost, with words written by Martin Luther based on "Veni Sancte Spiritus, reple tuorum corda fidelium". The hymn in three stanzas was first published in 1524.
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