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Hughes reproduces the draft fragment given below (i.e., the fifth through eighth lines of the song) and writes: "His sketches, preserved in the Vienna National Library, show the self-denial and economy with which he struggled to achieve [the song's] seemingly inevitable climax, pruning the earlier and more obviously interesting version of the ...
The Righteous Brothers released a version of the song in 1966, which spent eight weeks on the Billboard Hot 100 chart, peaking at No. 18. [6] Diana Ross & The Supremes covered the song for In Loving Memory, a 1968 gospel compilation featuring Motown Records artists. Elvis Presley recorded the song in 1960 at his home in Bel Air.
Christian Songs is a record chart compiled and published by Billboard that measures the top-performing contemporary Christian music songs in the United States. The data was compiled by Nielsen Broadcast Data Systems based on the weekly audience impressions of each song played on contemporary Christian radio stations until the end of November 2013. [1]
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In the original version of the video, the "toll-free number" referred to in the lyrics was shown as 1-555-GEN-ESIS. [10] This was covered up by a scroll bar in later edits of the video. (The 555 area code actually does not prefix any known toll-free telephone numbers.) At the Brit Awards in 1993 the video was nominated for British Video of the ...
"In Christ Alone" is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. [1] [2] The music was by Getty and the original lyrics by Townend. It was composed ...
The Baffled Knight" or "Blow Away the Morning Dew" (Roud 11, Child 112) is a traditional ballad existing in numerous variants. The first-known version was published in Thomas Ravenscroft's Deuteromelia (1609) [ 1 ] [ 2 ] with a matching tune, making this one of the few early ballads for which there is extant original music.
The song incorporates the famed Bo Diddley beat, a classic rock and roll rhythm. [9] It begins with organ played by Chris Cameron, referencing Wham!'s song "Freedom", followed by guitar strumming, finger clicking, hand-claps, tambourine and hi-hat. [5] The song was featured in the film Bitter Moon, directed by Roman Polanski. [10]