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Slip'N'Slide label manager Max told in an interview with Music Week, "I met Deep Dish in New York and heard their work on Quench and I was raving about it. Coincidentally, Jim had heard a Deep Dish mix of Joi Cardwell's "Trouble" at somebody's house, and loved it. He said a Deep Dish mix would be perfect for De'Lacy and he sorted it out." [6]
“Follow Me”, a deep house track produced and mixed by Kyle Smith, and executive produced by DJ Pierre and George Morel, was released in 1992 on the Strictly Rhythm record label. The record became an underground club hit and is considered one of the classics of the house genre for its uplifting spirit and "its unapologetically optimistic ...
1996 Global Communication - The Deep; 1996 Aquarythm - Ether's Whisper; 1996 Pet Shop Boys - Se A Vida É (That's The Way Life Is) 1996 Lisa Moorish - Mr. Friday Night; 1996 Sandy B - Make The World Go Round; 1996 All-Star Madness - Magic; 1996 De'Lacy - That Look; 1996 Victor Romeo - Love Will Find a Way; 1996 Dangerous Minds - Live In Unity
Deep house is a subgenre of house music [1] [3] [4] that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It ".
US BB 1 of 1996, Netherlands 1 – Aug 1993, Austria 1 – Feb 1996, Switzerland 1 – Mar 1996, Germany 1 – Apr 1996, Australia 1 for 9 weeks Nov 1996, UK 2 – Jul 1996, US BB 2 of 1996, Norway 2 – Jun 1996, Australia 2 of 1996, POP 2 of 1996, Global 7 (10 M sold) – 1993, Sweden 8 – Jun 1996, Germany 26 of the 1990s, Party 102 of 2007
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
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In 2012, the song was listed at number 35 in NME's list of the "50 best-selling tracks of the 90s", adding: "The 1994 version of 'Missing' had at least a foot on the dancefloor - in defiance of EBTG style - but Todd Terry gave it the final push, his deep house beats complementing Tracey Thorn's rich melancholy pine.