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Crown him with crowns of gold, All nations great and small, Crown him, ye martyred saints of old, The Lamb once slain for all; The Lamb once slain for them Who bring their praises now, As jewels for the diadem That girds his sacred brow. Crown him the Son of God Before the worlds began, And ye, who tread where He hath trod,
The Crown of Life in a stained glass window in memory of the First World War, created c. 1919 by Joshua Clarke & Sons, Dublin. [1]The Five Crowns, also known as the Five Heavenly Crowns, is a concept in Christian theology that pertains to various biblical references to the righteous's eventual reception of a crown after the Last Judgment. [2]
Christ carrying the cross with the crown of thorns, as painted by El Greco, c. 1580s. According to the New Testament, a woven crown of thorns (Ancient Greek: στέφανος ἐξ ἀκανθῶν, romanized: stephanos ex akanthōn or ἀκάνθινος στέφανος, akanthinos stephanos) was placed on the head of Jesus during the events leading up to his crucifixion.
Several venerated images of Jesus Christ and Saint Joseph have also been granted a pontifical coronation. [ a ] The pontifical decree of canonical coronation Qui Semper granted for the "Virgin of Hope of Triana" in Spain , legally imposing the venerated Marian image the Pontifical right to wear a crown by Pope John Paul II on 7 April 1983.
The Crowning with Thorns refers to the Crown of Thorns being placed on the head of Jesus, and is a common subject in art, examples including: The Crowning with Thorns (Titian, Paris) painted in 1542/1543 by Titian; The Crowning with Thorns (Titian, Munich) painted in 1576 by Titian
Jesus [d] (c. 6 to 4 BC – AD 30 or 33), also referred to as Jesus Christ, [e] Jesus of Nazareth, and many other names and titles, was a 1st-century Jewish preacher and religious leader. [10] He is the central figure of Christianity , the world's largest religion .
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This is a brutal scene, in which Christ's tormentors twist the crown onto his head with their canes, but the violence is relieved and Christ's suffering exalted by the beauty of the colours, which especially in the blue and green to the right are colder than usual in deference to Titian's Roman sources.