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Concert etiquette refers to a set of social norms observed by those attending musical performances. These norms vary depending upon the type of music performance and can be stringent, with dress codes and conduct rules, or relaxed and informal.
Concert abuse is a phenomenon attributed to the loss of concert etiquette between the audience and the performer. It has a long history, but experienced a resurgence in the 2020s decade after the COVID-19 pandemic lockdowns were lifted and audiences began to return and attend live concerts again. After social distancing began to dissipate in ...
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Standing ovations and encores are the norm at classical concerts, but not guaranteed. Indiscriminate applause is widely considered a violation of classical music concert etiquette: Applause is discouraged between movements, reserved instead for the end of the entire work. Yelling, jumping, and other disruptive actions are discouraged as well ...
In the mid-18th century, the first, modern English usage of etiquette (the conventional rules of personal behaviour in polite society) was by Philip Stanhope, 4th Earl of Chesterfield, in the book Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774), [9] a correspondence of more than 400 letters written from 1737 ...
The title makes it a subtopic of concert abuse overall, so if this is a topic that warrants an article, then Concert abuse overall should too, rather than redirecting here. Either that or abuse should just be covered in concert etiquette and this should be concert etiquette in the 2020s. The current structure makes resolving the recentism ...
A house concert is also a unique experience in the United States of 2010; one blogger at Wired magazine wrote: I had never been to a house concert before, and wasn't sure what to expect. We RSVP'd to the proper email address, got the address and printed out directions. Marian was nice enough to let us show up an hour early to chat and feed her ...
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