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Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
Chickering brand piano pictured in an advertisement in an Indianapolis Maennerchor concert program, March 1912. Jonas Chickering made several major contributions to the development of piano technology, most notably by introducing a one-piece, cast-iron plate to support the greater string tension of larger grand pianos. He also invented a new ...
Sohmer & Co. trademark. Sohmer & Co. was a piano manufacturing company founded in New York City in 1872. Sohmer & Co. marketed the first modern baby grand piano, and also manufactured pianos with aliquot stringing and bridge agraffes, as well as Cecilian "all-inside" player pianos and Welte-Mignon-Licensee reproducing pianos.
Abbey Road purchased the 1905 piano in 1953 for £404, [2] equivalent to £14,248 in 2023. [10] Engineer Stuart Eltham had a Steinway technician modify the piano to create an "older" sound; the hammers were treated with lacquer to harden them to emulate the bright sound of a tack piano. [3]
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.
D-274 (or D) is the model name of a concert grand piano, the flagship of the Steinway & Sons piano company, [1] first built in 1884. [ 2 ] [ 3 ] It is generally described as the first choice of most concert pianists. [ 1 ]
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The Cable Company, a Chicago piano manufacturing company, purchased the majority interest in Mason & Hamlin in 1904, when the Golden Age of the Piano was in full force. The most illustrious concert artists of the day aligned themselves with piano manufacturers; Sergei Rachmaninoff [8] used a Mason & Hamlin to make his 1924 recording of his Second Piano Concerto.
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