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In "Space Oddity", from the album David Bowie (1969, later retitled Space Oddity), Major Tom's departure from Earth is successful and everything goes according to plan.At a certain point during the travel ('past one hundred thousand miles'), he claims that "he feels very still" and thinks that "my spaceship knows which way to go" and proceeds to say: "Tell my wife I love her very much."
It was a mainstay during Bowie's concerts until 1990, after which it was played sporadically until 2002. Bowie revisited the Major Tom character in later singles, notably the sequel song "Ashes to Ashes" (1980). A range of artists have covered "Space Oddity" and others have released songs that reference Major Tom.
Featuring the story of a character unofficially related to "Major Tom", an astronaut depicted in British musician David Bowie's 1969 song "Space Oddity" and other releases, Schilling's track describes a protagonist who leaves Earth and begins drifting out into outer space as radio contact breaks off with his ground control team. His fate is ...
An art rock, art pop and new wave song led by a flanged piano riff, the lyrics act as a sequel to Bowie's 1969 hit "Space Oddity": the astronaut Major Tom has succumbed to drug addiction and floats isolated in space. Bowie partially based the lyrics on his own experiences with drug addiction throughout the 1970s.
In mid-December, Bowie recorded a new version with Italian lyrics, titled "Ragazzo solo, ragazza sola" (meaning "Lonely Boy, Lonely Girl"), [31] which was released as a single in Italy in 1970 and failed to chart. [7] [32] Philips issued David Bowie in the UK on 14 November 1969, [c] [34] with the catalogue number SBL 7912. [5]
At Alomar's suggestion, Bowie recorded a cover of Tom Verlaine's "Kingdom Come". Bowie felt the track was a standout from Verlaine's 1979 eponymous solo album and asked Verlaine to play lead guitar. Verlaine agreed, although Fripp ended up playing lead guitar. [e] [12]
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In the Spin Alternative Record Guide (1995), Rob Sheffield considered Station to Station Bowie's greatest album: "[It's] the album where Major Tom learns to dance, as the slick, robotic onslaught of the Teutonic title track fades into the tricky beats of "Stay" and "Golden Years". In the Velvets-worthy "TVC 15", Major Tom appears as a woman who ...