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The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. [4] Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I). [5] Recordings of The Charleston from 1923 entered the public domain in the United States in 2024. [6]
Compared to other pharmacological methods for improving sleep, music has no reported side effects [3] and is easy to administer. [4] In direct comparisons, music has improved sleep quality greater than audiobooks [5] [6] and has been comparable to sedative hypnotics. [7]
"Caravan" is an American jazz standard by Juan Tizol and Duke Ellington, first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The song has regained popularity since being featured prominently in the 2014 film Whiplash .
Fred Astaire and Eleanor Powell's tap dance to the tune in the 1940 film Broadway Melody of 1940 became one of the most popular dance scenes on film. [ 103 ] " In a Sentimental Mood " [ 4 ] [ 10 ] [ 104 ] [ 105 ] is a jazz song with music by Duke Ellington and lyrics by Manny Kurtz and Irving Mills.
Freedom Jazz Dance: The Bootleg Series, Vol. 5 is a 3-CD box set by the Miles Davis Quintet compiling studio recordings by jazz trumpeter Miles Davis recorded between 1966 and 1968. [8] The album contains remastered versions, alternate takes, and conversations among the musicians.
The interview backs up Schuller's contention that early jazz was widespread, beyond just the urban centers often associated with its beginnings. A glossary of pertinent music terms from both jazz and classical music follows, then a selected discography and an index. There are no endnotes, as footnotes appear throughout.
Paul Samuel Whiteman [1] (March 28, 1890 – December 29, 1967) [2] was an American Jazz bandleader, composer, orchestral director, and violinist. [3]As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz".
Mercury released James's first album, Bold Conceptions (1963), a somewhat free jazz exploration that was produced by Quincy Jones and that differed from the smooth jazz for which he would later become known. [6] [7] [3] In New York City, James worked as an arranger and was hired as piano accompanist for jazz singer Sarah Vaughan. [1]
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