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The New Orleans Jazz and Heritage Foundation is a 501(c)(3) organization that presents the New Orleans Jazz and Heritage Festival. The foundation was formed in 1970 as the festival's nonprofit arm. Festival founders George Wein, Quint Davis and Allison Miner trusted that Jazz Fest would be a success, despite a slow start in ticket sales.
Instead, New Orleans jazz bands began incorporating a style known as "ragging"; this technique implemented the influence of ragtime 2/4 meter and eventually led to improvisation. In turn, the early jazz bands of New Orleans influenced the playing of the marching bands, who in turn began to improvise themselves more often.
In 1958, then Tulane University graduate student Richard B. "Dick" Allen started a project on the oral history of New Orleans jazz. William Ransom Hogan (1908-1971) was a professor in the history department at Tulane University from 1947 until his death in 1971. [5]
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Up from the Cradle of Jazz: New Orleans Music Since World War II is a book by Jason Berry, Jonathan Foose and Tad Jones. It chronicles the history of New Orleans music, primarily rhythm and blues, and its evolution post-World War II. It was first published in 1986. An expanded second edition was published in 2009.
New Orleans Jazz National Historical Park is a U.S. National Historical Park in the Tremé neighborhood of New Orleans, near the French Quarter. It was created in 1994 to celebrate the origins and evolution of jazz. Most of the historical park property consists of 4 acres (16,000 m 2) within Louis Armstrong Park leased by the National Park Service.
The New Orleans Jazz & Heritage Festival a.k.a. Jazz Fest is an annual event showcasing the local music, culture and heritage of New Orleans, Louisiana.It was established in 1970 and is attended by hundreds of thousands each year. [2]
The original New Orleans style was polyphonic, with theme variation and simultaneous collective improvisation. Armstrong was a master of his hometown style, but by the time he joined Henderson's band, he was already a trailblazer in a new phase of jazz, with its emphasis on arrangements and soloists.