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One of the most obvious is for convenience; for example, if a bass guitarist were temporarily unavailable, the recording can be made and the bass track added later. Similarly, if only one or two guitarists are available, but a song calls for multiple guitar parts, a guitarist can play both lead and rhythm guitar.
"Travelling Riverside Blues" is a blues song written by the bluesman Robert Johnson. He recorded it on June 20, 1937, in Dallas, Texas, during his last recording session. The song was unreleased until its inclusion on the 1961 Johnson compilation album King of the Delta Blues Singers.
It carries a melody inspired by the blues, with folk influences as well. "The Lantern" also features a horn arrangement. [3] Brian Jones plays the organ in the intro and in the 2:30 mark, though earlier version of the song feature his organ throughout. The lyrics deal with a pair of lovers, one of whom has died though the other still feels love ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics , phrase , chord structure, and duration .
That scene where Dylan and Big Bill Morganfield are playing blues together and Seeger starts playing banjo along with them — now, that didn’t happen, but that’s exactly the way Seeger played ...
The result is yet another classic album by Reed, and one of the more straightfoward and accessible bodies of blues played on 12-string that one can find". [3] The Penguin Guide to Blues Recordings suggests that it is not, in fact, Reed who plays the 12-string guitar on this album. [4]
Producer Howard Benson used to be an aerospace engineer. He was also in a band. “We were probably like the worst band in L.A.,” he tells me from his studio in Los Angeles. “But I learned a ...
"Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac's manager, who also used the name Clifford Davis. [1] Only two of the song's 12-bar verses include vocals: the first uses the common call and response or AAB pattern, while the second includes four bars of stop-time, before concluding with the same refrain as the first: [2]