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Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance. Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, [2] as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other ...
The consonance of the letters "Th" in lines two, three, and four, as well the consonance of the letter "F" in lines eight and nine, and the letter 'S' in lines eleven and twelve give rise to a natural rhythm when the poem is read aloud. A conspicuous lack of punctuation contributes to the poem's tonal ambiguity
He is known to have introduced the "reversed consonance rhyme scheme" in writing poetry, as well as the extensive use of punctuation marks—especially commas, which made him known as the Comma Poet. [5] He used the pen name Doveglion (derived from "Dove, Eagle, Lion"), based on the characters he derived from his own works.
The poem uses several stylistic devices and is in many ways typical of Verlaine, in that it employs sound techniques such as consonance (the repetition of "n" and "r" sounds) that also creates an onomatopoeic effect, sounding both monotonous and like a violin. [2]
The poem was originally discovered by Lavinia Dickinson among Emily Dickinson's personal, unpublished fascicles (F13.03.010) following her death. [3] It was published posthumously in 1890 by her friends Mabel Loomis Todd and Thomas Wentworth Higginson in Poems by Emily Dickinson: Series 1 [4] as the 31st poem in section three: Nature.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
The speaker of the poem describes the gruesome effects of the gas on the man, and concludes that anyone who sees the reality of war at first hand would not repeat mendacious platitudes such as dulce et decorum est pro patria mori: "How sweet and honourable it is to die for one's country". Owen himself was a soldier who served on the front line ...
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...