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"The Bidding" is a song by American rock band Tally Hall. It was released on October 24, 2005 as track 5 of Marvin's Marvelous Mechanical Museum . The song was written by Joe Hawley with vocals led by Hawley, Rob Cantor , and Zubin Sedghi.
El Dorado Springs or El Dorado Springs may refer to: Eldorado Springs, Arkansas; Eldorado Springs, Colorado; El Dorado Springs, Missouri This page was last edited on ...
The park entrance lies immediately west of Eldorado Springs on State Highway 170. To the west of El Dorado Canyon State Park is the Roosevelt National Forest and Colorado's Front Range. East of the site, there are the heavily populated areas of Boulder and Denver on the High Plains. [4]
The song opens its central guitar riff, followed by its first verse where Dunn sets the scene: a small community off of Rural Route Three, which he would traverse to church and back. In an interview, Dunn revealed these details were entirely autobiographical: he came up on the real Rural Route Three, a four-mile stretch east of El Dorado.
Eldorado Springs is an unincorporated community, a census-designated place (CDP) and a post office located in and governed by Boulder County, Colorado, United States. The CDP is a part of the Boulder, CO Metropolitan Statistical Area. The Eldorado Springs post office has the ZIP code 80025 (post office boxes). [4]
Shingle Springs (formerly, Shingle Spring and Shingle) [3] is a census-designated place (CDP) in El Dorado County, California, United States. The population was 4,432 at the 2010 census, up from 2,643 at the 2000 census. It is located about 40 miles (64 km) from Sacramento in the Gold Country foothills and sits directly on Highway 50.
"Someday Out of the Blue" is a song recorded by Elton John for the soundtrack to the film The Road to El Dorado released in 2000, written by John, Patrick Leonard (music) and Tim Rice (lyrics). It serves as one of the themes of the film and the first single of the soundtrack. [1] The song deals with a love affair that ended.
El Rayo-X is not this year's greatest album, but there's very little to compete with it for well-executed let-the-good-times rock. Coming from a fellow who's spent the last few years contemplating Jackson Browne's elbow, it's a delightful surprise -- sort of like rounding the corner at the Haunted House and bumping into a six-foot Goofy.