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In a literary work, space models different relations of the world-picture: temporary, social, ethical and others. […] in the literary models of the world―space sometimes metaphorically adopts meanings of relations in the modelled world-structure, that are themselves not spatial at all. [5]
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]
Personal narrative (PN) is a prose narrative relating personal experience usually told in first person; its content is nontraditional. [1] "Personal" refers to a story from one's life or experiences. "Nontraditional" refers to literature that does not fit the typical criteria of a narrative.
Since most of the wisdom literature was written like poetry, some parts may be true and others fictional to attract the reader. Most of the wisdom writings were accepted by the readers for their choice of words, for the author's elite position held in society, and also based on the author's personal experiences. [7]
Some writers took the fourth dimension to be one of time, which is consistent with the physical principle that space and time are fused into a single continuum known as spacetime. Others preferred to think of the fourth dimension in spatial terms, and some associated the new mathematics with wider changes in modern culture.
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A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem to be lonely. It may differ from the thesis—the text's or author's implied worldview. [4] [example needed]