Search results
Results from the WOW.Com Content Network
Bonaparte at the Pont d’Arcole (French: Bonaparte au Pont d’Arcole) is an oil-on-canvas painting executed in 1796 by the French artist Antoine-Jean Gros. It depicts an episode during the Battle of Arcole in November 1796, with General Napoleon Bonaparte leading his troops to storm the bridge.
Bristol City Museum and Art Gallery: Bonaparte at the Pont d'Arcole: 1796: 130 × 94 cm: Palace of Versailles: The Death of Timophanes: 1798: 44.4 × 57.6 cm: The Louvre: Portrait of Christine Boyer: c. 1800: 214 × 134 cm: The Louvre: The Battle of Nazareth: 1801: 136.1 x 196.4 cm: Musée des Beaux-Arts de Nantes: Sappho at Leucate: 1801: 122 ...
Similarly for his equestrian portrait of Bonaparte (Château de Malmaison), from 1803, from the same time, Gros used the same fisionomy previously depicted in his painting of Bonaparte at the Pont d'Arcole, also oriented to the left and lit in the same way. The main difference was in his treatment of the hair, depicted shorter.
The pont d'Arcole was built to the plans of Alphonse Oudry (1819–1869), retired Ingénieur des Ponts et Chaussées and his partner Nicolas Cadiat; [2] the structure was innovative in that it was the first unsupported bridge across the Seine to be made entirely in wrought iron rather than cast iron. The low arch, only lightly cambered, was ...
In the 1927 film Napoleon, young general Bonaparte is portrayed as a heroic visionary. On the other hand, he has been occasionally reduced to a stock character, depicted as short and bossy, sometimes comically so. [51] Antoine-Jean Gros (1771–1835) witnessed the Battle of Arcole (1796) and painted a portrait that pleased Napoleon. After ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
French emperor Napoleon Bonaparte died 203 ... out stiff competition at a Paris auction in 1977 to buy the organ for $3,000. ... dealer A.S.W. Rosenbach in 1924 and displayed at the Museum of ...
In 1800, the year after the victory of French troops over the Ottomans near the village of Nazareth, in Palestine, at April 8, 1799, a jury attributed the realization of a commemorative work of the event to Antoine-Jean Gros. [2] A sketch for the final work was presented at the Salon of 1801. [3] The painting was going to have large dimensions. [4]