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Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
Étude Op. 25, No. 12 in C minor is one of Frédéric Chopin's formal studies for the piano, opus 25, dedicated À Madame la Comtesse d'Agoult. It was first published in 1837 in French, German, and English.
Excerpt from Étude Op. 10, No. 4. Étude Op. 10, No. 4 in C ♯ minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fourth piece of his Études Op. 10.
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Chopin at 25, by Maria Wodzińska, 1835. Most of Frédéric Chopin's compositions were for solo piano, though he did compose several pieces for piano and orchestra (including two piano concertos) as well as some chamber works that include other instruments.
Op. 1, Rondo in C minor (1825); Op. 2, Variations on "Là ci darem la mano" from Mozart's opera Don Giovanni, in B ♭ major, for piano and orchestra (1827); Op. 3, Introduction and Polonaise brillante in C major for cello and piano (1829)
No. 1 - Allegro agitato in C minor - "The Sea" No. 2 - Lento assai in A minor - "The Sea and the Seagulls" No. 3 - Allegro molto in F ♯ minor; No. 4 - Allegro assai in B minor; No. 5 - Appassionato in E ♭ minor; No. 6 - Allegro in A minor - "Little Red Riding Hood and the Wolf" [3] No. 7 - Lento lugubre in C minor; No. 8 - Allegro moderato ...
Étude Op. 25, No. 7 in C-sharp minor is a solo piano technical study composed by Frédéric Chopin in 1834. Markedly different from Chopin's overall scheme of technical virtuosity, this étude focuses instead on perfect sound and phrasing, particularly for the left hand.