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In Romania, the syntagm muzică populară (English: popular/folk music) is used to denote a musical genre based on folklore, but distinct from it. The distinction is both in form and essence and it arises mainly from the commercial aspect of the popular music. [1] In English the term is ambiguous since it could also refer to Romanian pop music.
Founded in 1995, the Romanian Top 100 was the national music chart of Romania. It was compiled by broadcast monitoring services Body M Production A-V (1990s and 2000s) and by Media Forest (2010s), and measured the airplay of songs on radio stations throughout the country. [1] [2] [3] In 2005, the number of radio stations involved was 120. [4]
Transylvanian and Arts Festival – mainly Rock Music Untold Festival: Cluj-Napoca: Electronic: Best Major European Festival in 2015 Classical. George Enescu Festival;
Folk music is the oldest form of Romanian musical creation, characterised by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, also by numerous performers who helped propagate and further develop the folk sound.
"The Question" is the second single by Concept of One from the album of the same name, released in 1990 with the participation of freestyle singer Noel Pagan. [1] Although the song only achieved moderate success on the charts entering only the dance singles chart, the song became one of Noel's most popular, where he still includes it in his ...
Noel Millar (born 19 August 1989), better known as Noel Miller, is a Canadian-American YouTuber, comedian, rapper, podcaster, and filmmaker. He first gained public attention via his comedy skits on Vine .
Traditionally there are two types of Romani music: one rendered for non-Romani audiences, the other is made within the Romani community. The music performed for outsiders is called "gypsy music", which is a colloquial name that comes from Ferenc Liszt. They call the music they play among themselves "folk music". [19]
Romanian ethnomusicologist and musician Grigore Leşe, after performing with a group of Iranian musicians, noticed that the doinas of Maramureş have "great affinities" with the Arabo-Persian music. [7] The doina is a free-rhythm, highly ornamented (usually melismatic), improvisational tune. [8]