Search results
Results from the WOW.Com Content Network
Friedrich Wilhelm Ernst Paulus (23 September 1890 – 1 February 1957) was a German Generalfeldmarschall (Field Marshal) during World War II who is best known for his surrender of the German 6th Army during the Battle of Stalingrad (July 1942 to February 1943).
Beginning of the Anthologia Palatina, main part of The Greek Anthology.Scan by the Gesellschaft der Freunde Universität Heidelberg e. V.. The Greek Anthology (Latin: Anthologia Graeca) is a collection of poems, mostly epigrams, that span the Classical and Byzantine periods of Greek literature.
A funeral oration or epitaphios logos (Ancient Greek: ἐπιτάφιος λόγος) is a formal speech delivered on the ceremonial occasion of a funeral. Funerary customs comprise the practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honour.
For premium support please call: 800-290-4726 more ways to reach us
Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
Paulus refused to participate directly. In Soviet captivity, Paulus denied having surrendered, claiming to have been taken by surprise. He refused to issue an order to the remaining Germans in the southern pocket to surrender. He also denied having the authority to issue an order for the northern pocket to surrender. [14]
Nänie (the German form of Latin naenia, meaning "a funeral song" [1] named after the Roman goddess Nenia) is a composition for SATB chorus and orchestra, Op. 82 by Johannes Brahms, which sets to music the poem "Nänie" by Friedrich Schiller. Brahms composed the piece in 1881, in memory of his deceased friend Anselm Feuerbach.
Flowers for Hitler contains 95 rhymed and free-verse poems, avant-garde texts, and pictorial elements. It was the first of his books to include Cohen's drawings. Only 20 of the poems directly address World War II and the Holocaust. In the poems, Cohen explores the banality of evil, "using the Holocaust as the highest known point of human evil".