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Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition.
Speech synthesizer: Add a voice to your projects with just 5 IC's. Steven Cheairs: 53/7: July 1982 Satellite TV receiver: Part 3—Testing and alignment procedures concludes this 3-part construction article. David Becker: 53/7: July 1982 Energy miser: Bring down the high cost of heating. Roland Gibson: 53/8: August 1982 Heart-rate monitor
200. Have you ever been the center of attention and hated it? Related: 200 This or That Questions To Ask. Yes or No Questions for Friends. 201. Have you known any of your friends since childhood? 202.
Out-of-context clips from the Dr. Phil Show; the bit was similar to the "Great Moments in Presidential Speeches" sketch. "Dumb Ads" "George W. Bush Joke That's Not Really a Joke" Harold Larkin's "Sidewalk Idol" "Late Show Checklist" "Late Show Pay Phone Trifecta" "Late Show Unfair Edit", later "Late Show Fun with Editing", later "Late Show ...
In advertising research, attention is the qualitative measure of an advertisement's effectiveness in arousing interest in a viewer. [ 17 ] [ 18 ] Qualitative is a measurement that is based on peoples emotions and opinions of the advertisement.
Auditory attention in regards to the cocktail party effect primarily occurs in the left hemisphere of the superior temporal gyrus, a non-primary region of auditory cortex; a fronto-parietal network involving the inferior frontal gyrus, superior parietal sulcus, and intraparietal sulcus also accounts for the acts of attention-shifting, speech processing, and attention control.
L.A. County Dist. Atty. George Gascón won office at a time when the public was crying out for criminal justice reform. He now faces an electorate concerned about public safety.
The advertising campaign was marked by noticeable animosity between Welles and the advertising agency which commissioned the ads, DDB Needham.Welles once complained to his regular lunching companion, the director Henry Jaglom, "I have never seen more seedier, about-to-be-fired sad sacks than were responsible for those Paul Masson ads.