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High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
If a wall is to be smooth and the ceiling textured, typically the wall is done first, then the ceiling after the wall has set. Instead of rebirding the ceiling (which would have been done when the wall was laid on), a clean trowel is held against the wall and its corner is run along the ceiling to "cut it in" and clean the wall at the same time.
Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices.
Scrim and sarking visible on a wall being renovated in Dunedin, New Zealand. Sarking (boards) are nailed to the beams of the house, and them scrim (loose-weave material) is stapled or nailed over it. Scrim and sarking is a method of interior construction widely used in Australia and New Zealand in the late 19th and early 20th centuries.
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
Lath and plaster is a building process used to finish mainly interior dividing walls and ceilings. It consists of narrow strips of wood which are nailed horizontally across the wall studs or ceiling joists and then coated in plaster. The technique derives from an earlier, more primitive process called wattle and daub. [1]
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A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall or on vellum (used for miniatures in illuminated manuscripts). Wood panels ...