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The Aphrodite Rhithymnia (Ancient Greek: Ἀφροδίτη Ῥιθυμνία, romanized: Aphrodítē Rhithumnía, lit. 'Aphrodite of Rhithymna'), also known as Aphrodite of Lappa (Greek: Αφροδίτη της Λάππας), is a Roman statue of the first century AD found at the site of ancient Lappa, in modern-day Argyroupoli, western Crete, Greece.
After this point, Romans adopted Aphrodite's iconography and myths and applied them to Venus. [91] Because Aphrodite was the mother of the Trojan hero Aeneas in Greek mythology [91] and Roman tradition claimed Aeneas as the founder of Rome, [91] Venus became venerated as Venus Genetrix, the mother of the entire Roman nation. [91]
Anteros was the son of Ares and Aphrodite in Greek mythology, and given to his brother Eros as a playmate because Eros was lonely. In another version, Anteros arose from mutual feelings between Poseidon and Nerites. [14] Physically, Anteros was depicted as similar to Eros in every way, though sometimes with longer hair and butterfly wings.
A Roman copy of a statue of Aphrodite Areia found in Epidaurus, with the original created by the Polykleitos school.. Aphrodite Areia (Ancient Greek: Ἀφροδίτη Ἀρεία) or "Aphrodite the Warlike" was a cult epithet of the Greek goddess Aphrodite, in which she was depicted in full armor like the war god Ares. [1]
With her right hand, the goddess attempts to cover her left breast. The head is twisted to the left. Thus the statue belongs to the Venus pudica type, which derives from a statue of the famous sculptor Praxiteles, the Aphrodite of Cnidus. [1] The statue is a Roman copy of a Greek original.
In Greek mythology, Peitho (Ancient Greek: Πειθώ, romanized: Peithō, lit. 'Persuasion' or 'winning eloquence' [1]) is the personification of persuasion. [2] She is typically presented as an important companion of Aphrodite.
The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain.
[1] The wise men (Magi) see the star above the statue of Pege and the royal diadem of carbuncle and emerald that has appeared fastened on her. They conclude this is a heavenly announcement of forthcoming marvels on Earth, and that a new kingdom is coming. The statues bowing down prefigures the end of their honor, and all the memorials of the ...