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Nataraja is a significant visual interpretation of Brahman and a dance posture of Shiva. The details in the Nataraja artwork have attracted commentaries and secondary literature such as poems detailing its theological significance. [19] [24] It is one of the widely studied and supreme illustrations of Hindu art from the medieval era. [45] [46]
English: The photo shows the ruined condition of the Subrahmanya shrine in the Nataraja temple complex in the 19th century. This photo was taken in the first half of 19th century, but neither exact year is known nor the author.
Architecturally the Chitrasabha resembles that of the other Nataraja Sabhas elsewhere in Tamil Nadu, and its interior is decked with hundreds of murals, depicting images from the Indian epics. Nataraja is brought here during festivals from the Kurumpalaveesar temple. The temple tree is called the Kurum Pala and the temple tank is called ...
A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. [41] [42] [43] He is also known as Sabesan, which means "The lord who dances on the dais".
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
Nataraja: Center of Chidambaram: Thiruvetkalam 3 kilometres (1.9 mi) east of Chidambaram, on the Annamalai University campus Thirunelvayal(Sivapuri) 3 km southeast of Chidambaram, near the Thiruvetkalam temple Thirukkazhippalai 5 kilometres (3.1 mi) southeast of Chidambaram
Nataraja is the dancing Shiva Lord of dance in Hinduism: Date: Taken on 27 August 2017, 13:19: Source: Nataraja, Chola period bronze, 11th century, Government Museum, Chennai (5) Author: Richard Mortel from Riyadh, Saudi Arabia