Search results
Results from the WOW.Com Content Network
John Beasly Greene's photo of the Abu Simbel temples, 1854 Bandit's Roost (1914) by Jacob Riis. The term document applied to photography antedates the mode or genre itself. . Photographs meant to accurately describe otherwise unknown, hidden, forbidden, or difficult-to-access places or circumstances date to the earliest daguerreotype and calotype "surveys" of the ruins of the Near East, Egypt ...
Social documentary photography or concerned photography is the recording of what the world looks like, with a social and/or environmental focus. It is a form of documentary photography, with the aim to draw the public's attention to ongoing social issues. It may also refer to a socially critical genre of photography dedicated to showing the ...
Laura Pannack (born 1985) [1] is a British social documentary and portrait photographer, based in London. Her work is often of children and teenagers. Pannack received first place in the World Press Photo Awards in 2010, the Vic Odden Award from the Royal Photographic Society in 2012, and won the Portfolio category in the Sony World Photography Awards in 2021.
This page was last edited on 3 February 2024, at 20:55 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
His 'Mirror' analogy represents self-reflective photography, represented in the book by Jerry Uelsmann, Paul Caponigro, Ralph Gibson, Duane Michals, Judy Dater and others; while the idea of the 'Window' is found in the documentary approach, exemplified by inclusions of work by Diane Arbus, Lee Friedlander, Henry Wessel, Joel Meyerowitz, and ...
Documentary mode is a conceptual scheme developed by American documentary theorist Bill Nichols that seeks to distinguish particular traits and conventions of various documentary film styles. Nichols identifies six different documentary 'modes' in his schema: poetic, expository, observational, participatory, reflexive, and performative.
Photography was not only prohibited but also posed a serious threat to the industry. [5] To gain entry to the mills, mines and factories, Hine was forced to assume many guises. At times he was a fire inspector, postcard vendor, bible salesman, or even an industrial photographer making a record of factory machinery.
The documentary includes scenes from a glacier calving event that took place at Jakobshavn Glacier in Greenland, lasting 75 minutes, the longest such event ever captured on film. [ 10 ] [ 11 ] Two EIS videographers waited several weeks in a small tent overlooking the glacier, and were finally able to witness 7.4 cubic kilometres (1.8 cu mi) of ...