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Cupid Making His Bow (c. 1533–1535) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum , Vienna , Austria . History
Parmigianino was a pioneer of Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen. Though the techniques of printing the copper plates required special skills, the ease with which acid, as a substitute for ink, could reproduce the spontaneity of an artist's hand attracted ...
Danae and Cupid: 1544–1546 Titian: Annunciation: c.1557 Alessandro Buonvicino (Moretto da Brescia) Christ at the Column: c.1550 Alessandro Tiarini: Madonna with Child and Angels: 1625–1630 Pellegrino Tibaldi: Holy family & Saints: 1549–1553 Tintoretto (attributed) Rough sketch for Battaglia sul Taro: c.1578 Benvenuto Tisi (il Garofalo) St ...
In Parmigianino's Madonna with the Long Neck (1534–1540), Mannerism makes itself known by elongated proportions, highly stylized poses, and lack of clear perspective. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the ...
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Caravaggio, The sleeping Cupid; Artemisia Gentileschi, Judith; Parmigianino, Madonna with the long neck; Anthony van Dyck, Portrait of Cardinal Guido Bentivoglio; Velázquez, Philip IV of Spain on Horseback
The saint's pose may have been intended as an homage to Parmigianino's elder fellow artist Correggio, who was also based in Parma. Correggio's Venus and Cupid with a Satyr (Louvre} may have inspired St Jerome's pose with his feet forward, head tilted backwards and his body at once vertical and horizontal. In Correggio's painting, the naked love ...
In 1603–1604 the painting was acquired by the emperor Rudolf II together with Parmigianino's Cupid Making His Arch, and sent to Prague. The canvas was in Vienna since as early as the 1610s, when it is talked in the Habsburg imperial collections together with Io. [1]