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Rather than modeling writing as a creative process, the love letter algorithm represents the writing of love letters as formulaic and without creativity. [8] The algorithm has the following structure: Print two words taken from a list of salutations; Do the following 5 times: Choose one of two sentence structures depending on a random value Rand
In the poem “Painted Tongue,” Byas writes: “We twist and turn in the mirror,/ my mother and I becoming each other,/ her bruises and scars passed down,/ family heirlooms that will take/ me ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Meanwhile, Phil and Jay stay home to cook a nice dinner for the family. They are making a special recipe that Jay's mom used to make. Things get really awkward when Phil finds a poem Jay wrote for his mom when he was nine years old and when he reads it out loud he witnesses an unexpected emotional reaction from Jay.
The Good News: Love is a connector as powerful as family. When you love a friend, God, or a co-worker, they become your chosen family. Woman's Day/Getty Images. 1 Peter 4:8-9
Watson wrote short stories, but changed focus to poetry, inspired by one of several companies that reject his drafts noting that his writing contained good poetic elements. His first poems were in sonnet form, later changing to free verse style. The themes of his poetry range from observations of everyday experience, to the effects of colonisation.
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]