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A Victorian woman wearing a widow's cap. Illustration from The Strand Magazine (1890) A Victorian mourning cap was identified by its black colour or tone (depending on the level of mourning). The more recent the loss the simpler the design. The shape of the cap depended on the age of the widow but the most common was peaked at the front. [3]
The Small Diamond Crown of Queen Victoria is a miniature imperial and state crown made at the request of Queen Victoria in 1870 to wear over her widow's cap following the death of her husband, Prince Albert. It was perhaps the crown most associated with the queen and is one of the Crown Jewels on public display in the Jewel House at the Tower ...
As well as bearing the crown, Victoria's head has a widow's veil. Following the death of Albert (1861) she had remained in mourning, and the veil would have been black in colour. [9] The veil descends from a widow's cap worn under the crown. [13] The queen has a pearl necklace and there is an earring in her visible ear.
The origin of the term mobcap is a compound of mob "dishabille, casually dressed" + cap.It may be modeled on Dutch mop (muts) "woman's cap". [1]From at least 1730 to at least 1750, a single mob cap could be referred to as "a suit of mobs" [2] or 'a suit of mobbs', [3] while the plural mob caps could be described as 'suits of mobs' [4] or 'suits of mobbs'.
Therefore, the dress code for widows was relaxed. [6] The majority of this exhibit was devoted to the mourning attire worn by ladies rather than by men. But it does portray the plain black suit that men typically wore, complete with a hat with a wide black band, but this was not always worn as the suit was.
Victorian jewellery originated in England; it was produced during the Victoria era, when Queen Victoria reigned from 1837 to 1901. Queen Victoria was an influential figure who established the different trends in Victorian jewellery. [1] The amount of jewellery acquired throughout the era established a person's identity and status. [2]
During the investigations into the Babington Plot, the code breaker Thomas Phelippes interviewed Mary's two secretaries, Gilbert Curle and Claude Nau, and Jérôme Pasquier, groom of the chamber and master of Mary's wardrobe, in the Tower of London. [296] Pasquier's role included buying cloth in London for the livery clothes of the household. [297]