Search results
Results from the WOW.Com Content Network
World cinema has an unofficial implication of films with "artistic value" as opposed to "Hollywood commercialism." Foreign language films are often grouped with "art house films" and other independent films in DVD stores, cinema listings etc. Unless dubbed into one's native language, foreign language films played in English-speaking regions usually have English subtitles.
The World Cinema Foundation is backed by an advisory board "Filmmaker Council" which includes Martin Scorsese, Fatih Akin, Souleymane Cissé, Guillermo del Toro, Stephen Frears, Alejandro González Iñárritu, Wong Kar-Wai, Abbas Kiarostami, Deepa Mehta, Ermanno Olmi, Raoul Peck, Cristi Puiu, Walter Salles, Abderrahmane Sissako, Elia Suleiman, Bertrand Tavernier, Wim Wenders, and Tian ...
Martin Scorsese has warned that cinema as an art form is "being systematically devalued, sidelined, demeaned, and reduced" to "content" and called blockbusters' overemphasis on box-office returns "repulsive". [101] [102] Quentin Tarantino has opined that the current era of cinema is one of the worst in Hollywood history.
Early modernist film came to maturity in the era between WWI and WWII, with characteristics such as montage and symbolic imagery, manifesting itself in genres as diverse as expressionism and surrealism (as featured in the works of Fritz Lang and Luis Buñuel) [1] while postmodernist film – similar to postmodernism as a whole – is a reaction to modernist works, and to their tendencies (such ...
The Oxford history of World Cinema. Oxford; New York: Oxford University Press, 1996. Roberts, Graham. The Man With the Movie Camera. London: I. B. Tauris, 2000. Tsivian, Yuri. Lines of Resistance: Dziga Vertov and the Twenties. Edited and with an introduction by Yuri Tsivian; Russian texts translated by Julian Graffy; filmographic and ...
Film studies is less concerned with advancing proficiency in film production than it is with exploring the narrative, artistic, cultural, economic, and political implications of the cinema. [1] In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical ...
The world’s largest cinema chain, aiming to pull out of a slump, is tweaking the way we watch movies. Samantha Delouya, CNN. February 28, 2024 at 4:32 PM.
In Theorising National Cinema, Philip Rosen suggests national cinema is a conceptualization of: (1) Selected 'national' films/texts themselves, the relationship between them, which be connected by a shared (general) symptom. (2) an understanding of the 'nation' as an entity in synchronicity with its 'symptom'.