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"Weekend" is a song written by English singer-songwriter Mick Jackson and Tommy Mayer, and released in 1978 on Jackson's Weekend album. It was then covered in 1979 by the American group Wet Willie where it peaked at number 29 on the U.S. Billboard Hot 100 during the summer of the year. [1] Jackson's version charted in the United Kingdom ...
Mick Jackson's subsequent 1979 release, "Weekend" was released in the same week as the Jacksons' second single "Destiny". The songs entered the charts on the same day, peaking at numbers 38 and 39 on the UK Singles Chart respectively, [3] and both 'Michael Jacksons' appearing on the same edition of Top of the Pops.
A promotional music video by the Jacksons was created for "Blame It on the Boogie" in 1978. The video, featuring the group's members dancing on a black background, relied heavily on electronic trail effects, created at Image West, Ltd. using then-cutting edge equipment: the Scanimate analog computer system and a Quantel DFS 3000 digital framestore.
Michael Jeffries and Karyn White — Michael Jeffries: 1989 — "The Skin Game Pt. 1 / Pt. 2" Janet Jackson — Come Back to Me B-Side: 1990 — "Sensitivity" † Ralph Tresvant — Ralph Tresvant: 1990 — "Rub You the Right Way" † Johnny Gill — Johnny Gill: 1990 "Pump Up the Bass" by DJ Jazzy Jeff & The Fresh Prince
"Working Day and Night" is a song by American recording artist Michael Jackson. It is the third track from his fifth studio album, Off the Wall (1979). The song was written by Jackson and produced by Quincy Jones, with Jackson in the role of co-producer.
Upon its release, music critics likened the Weeknd's vocals of "I Feel It Coming" to Michael Jackson's, with Sam Wolfson of The Guardian stating that it sounded like Jackson singing over a Shalamar beat. [27] PopMatters ' s Adriane Pontecorvo wrote that the Weeknd's high notes make him sound more like Jackson than before. [18]
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"State of Shock" is a 1984 single by the Jacksons and Mick Jagger. It was written by Michael Jackson and Randy Hansen. The song was originally sung by Michael Jackson as a duet with Freddie Mercury, [4] and was later slated for the Thriller album in 1982; however, due to differing time schedules, Jackson ended up recording it with his brothers and Jagger instead.