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Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
A replica of Mona Lisa publicized as the "world's smallest" was painted by Andrew Nichols of New Hampshire (USA) in 2011, intending "to break the record." Recreated at a 70:1 ratio, the miniature Mona Lisa measures approximately 1/4 by 7/16 inches (7 by 11 mm). Although his rendition drew media attention, it was never officially reported ...
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
The Mona Lisa (/ ˌ m oʊ n ə ˈ l iː s ə / MOH-nə LEE-sə; Italian: la Gioconda [la dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: la Joconde [la ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci.
PARIS (AP) — The “Mona Lisa” has given up another secret. Using X-rays to peer into the chemical structure of a tiny speck of the celebrated work of art, scientists have gained new insight ...
Leonardo da Vinci’s Mona Lisa — one of the most famous paintings in the world — is shrouded in mystery; from questions around the figures identity, to her puzzling, enigmatic expression.
Olson and Miesel also take issue with the idea that Leonardo painted the Mona Lisa as a self-portrait, and that this idea is based on the fact that points of congruency are found between Leonardo's face and the Mona Lisa ' s. Olson and Miesel respond that points of congruency can be found among many faces, which is how computer morphing of ...
A new study found a rare compound called plumbonacrite within the “Mona Lisa,” suggesting Leonardo da Vinci may have been the first to use a technique previously found in later paintings.