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However, tail rhyme stanzas can take many forms, potentially containing either more or fewer lines than this example. Tail rhyme is a principle of construction, not one set pattern; the "Burns stanza" is an example of a specific pattern which forms a sub-type of tail rhyme.
The regular use of tail rhyme helps to mark off the ends of lines, thus clarifying the metrical structure for the listener. As with other poetic techniques, poets use it to suit their own purposes; for example, William Shakespeare often used a rhyming couplet to mark off the end of a scene in a play.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
The Avowing of Arthur, or in full The Avowing of King Arthur, Sir Gawain, Sir Kay, and Baldwin of Britain, is an anonymous Middle English romance in 16-line tail-rhyme stanzas [1] telling of the adventures of its four heroes in and around Carlisle and Inglewood Forest. The poem was probably composed towards the end of the 14th century or the ...
Amis and Amiloun is a Middle English romance in tail rhyme from the late thirteenth century. The 2508-line poem tells the story of two friends, one of whom is punished by God with leprosy for engaging in a trial by ordeal after the other has been seduced and betrayed.
concoction, decoction (In GA, these rhyme with auction; there is also the YouTube slang word obnoxion, meaning something that is obnoxious.) distinguish , extinguish pneumatic , rheumatic
This rhyme scheme was extremely popular in French poetry. It was used by Victor Hugo and Charles Leconte de Lisle. In English it is called the tail-rhyme stanza. [2] Bob Dylan uses it in several songs, including the A-strains of You're Gonna Make Me Lonesome When You Go and the B-strains of Key West (Philosopher Pirate).