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However, the works of some ethnographic painters and photographers including Herb Ritts, David LaChappelle, Bruce Weber, Irving Penn, Casimir Zagourski, Hugo Bernatzik and Leni Riefenstahl, have received worldwide acclaim for preserving a record of the mores of what are perceived as "paradises" threatened by the onslaught of average modernity.
Tomoko and Mother in the Bath (1971) by W. Eugene Smith. Tomoko and Mother in the Bath [1] is a photograph taken by American photojournalist W. Eugene Smith in 1971. Many commentators regard Tomoko as Smith's greatest work. The black-and-white photo depicts a mother cradling her severely deformed, naked daughter in a traditional Japanese bathroom.
Piero di Cosimo, who also portrayed Simonetta Vespucci as Cleopatra (1480), was an original artist endowed with great fantasy, with works inspired by mythology, with a somewhat eccentric air, but endowed with great feeling and tenderness, where the figures—along with a great variety of animals—are immersed in vast landscapes: Vulcan and ...
Brooke Shields, 58, posted a series of makeup-free poolside selfies for her daughter’s birthday. In the photo, the mother-daughter duo smiled while on vacation in Thailand. “Best few days with ...
On Monday, the "America's Got Talent" judge shared pictures from a new ad campaign that features Klum, 51, posing with her 20-year-old daughter, Leni Olumi Klum, and her 80-year-old mother, Erna Klum.
Mary was born in 1874 to a middle class family and was the only daughter (she had 7 brothers). She studied medicine and became a nurse in 1894. Nine years later, she married Thomas Bevan and had ...
Forty-two Kids by George Bellows (1907) depicting boys swimming from a pier in the East River, New York City "Swimming baths" and pools were built in the late 19th century in poorer neighborhoods of northern industrial cities of the US to exert some control over a public swimming culture that offended Victorian sensibilities by including not only nakedness, but roughhousing and swearing.
The work was completed on a September morning in 1911, [d] giving the painting its name. [2] In 1935, responding to claims that "Marthe" was living in poverty, Chabas explained that she had continued posing for him until she was 28, when she married a rich industrialist, and that she was now aged 41, plump, and had three children. [35] [36]