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The Choice Between Virtue and Vice and Wisdom and Strength have traveled together since their creation, through many prestigious owners and collections. Because of this, many scholars assumed that Veronese painted them as a pair. In 1970, Edgar Munhall was the first scholar to suggest that they were simply made at the same time, not as pendants ...
The Allegory of Virtue and Vice and Wisdom and Strength have traveled together since their creation, through many prestigious owners and collections. Because of this, many scholars assumed that Veronese painted them as a pair. In 1970, Edgar Munhall was the first scholar to suggest that they were simply made at the same time, not as pendants. [2]
The other two are at the Frick Collection in New York: The Allegory of Virtue and Performance and Allegory of the Source of Wisdom and Power. [1] It deals with the romantic love of the Roman goddess of love Venus and the god of war Mars, as described in Ovid's Metamorphoses.
Allegory of Justice; The Allegory of Love (Veronese) Allegory of Music; Allegory of Patience (Vasari) Allegory of Prudence; Allegory of the Battle of Lepanto; Allegory of the Element Earth; An Allegory of the Old and New Testaments; An Allegory of Truth and Time; Allegory of Vice (Correggio) Allegory of Virtue (Correggio) Allegory of Virtue and ...
Venus Disarming Cupid is an oil on canvas painting by the Venetian Renaissance master Paolo Veronese, from c. 1550. The painting is set after the Roman poet Ovid's telling of the myth of Venus, Cupid, Adonis, and Mars in Book X of his masterwork, the Metamorphoses. It is one of several works Veronese painted of the subject.
The Finding of Moses is a 1580 oil-on-canvas painting by Paolo Veronese of the finding of Moses, which has been in the Musee des Beaux Arts de Dijon since 1812. Its attribution to Veronese is early, with Lépicié stating it was "painted by the artist at the height of his powers", though Louis Clément de Ris argued it was a copy in 1861.
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From Veronese's mature phase, it was one of a series of monumental "Feasts" for monastery refectories of monasteries in Venice – The Wedding at Cana for San Giorgio Maggiore (now in the Louvre) and another The Feast in the House of Simon the Pharisee for Santi Nazaro e Celso (now in Turin) were earlier works in the series. [2]