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Brooks as a sophomore in high school, 1922. [17] She had worn bobbed hair since childhood. [18]Brooks was born in Cherryvale, Kansas, [19] the daughter of Leonard Porter Brooks, [20] a lawyer, who was usually preoccupied with his legal practice, [21] and Myra Rude, [20] an artistic mother who said that any "squalling brats she produced could take care of themselves". [22]
In his lecture in February 1920 on Britain's surplus of young women caused by the loss of young men in war, Dr. R. Murray-Leslie criticized "the social butterfly type... the frivolous, scantily-clad, jazzing flapper, irresponsible and undisciplined, to whom a dance, a new hat, or a man with a car, were of more importance than the fate of ...
The role established her as a symbol of modern 1920s-style femininity who rivaled Clara Bow, the original It girl, and Hollywood's foremost flapper. A stream of hits followed Our Dancing Daughters , including two more flapper-themed movies, in which Crawford embodied for her legion of fans (many of whom were women) an idealized vision of the ...
Our Dancing Daughters is a 1928 American synchronized sound drama film starring Joan Crawford and John Mack Brown about the "loosening of youth morals" that took place during the 1920s. The film was directed by Harry Beaumont and produced by Hunt Stromberg .
Articles relating to flappers and their depictions, a subculture of young Western women in the 1920s who wore short skirts (knee height was considered short during that period), bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior.
Young flappers took to these styles of underwear due to the ability to move more freely and the increased comfort when dancing to the high tempo jazz music. During the mid-1920s, all-in-one lingerie became popular. For the first time in centuries, women's legs were seen with hemlines rising to the knee and dresses becoming more fitted.
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