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Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists. Such a pattern may occur in nature and these effects are frequently emulated by artists.
Giulio Campagnola, The Astrologer, c. 1509, with areas such as the dark foreground, the man's bald head, and the tree trunks created by a burin stippling technique. An example of the mastery of coloured stipple engraving by Francesco Bartolozzi (1727–1815) Cupid Binding Aglaia to a Laurel, detail, after Angelica Kauffmann (1741–1807)
' script for decrees ', 令書) in Việt Sử Toát Yếu ('Vietnamese History and Compendium', 越史撮要) because of its initial bureaucratic characteristic. [4] Cursive Vietnamese. In modern times, calligraphy has been done frequently in the Latin-based Vietnamese alphabet, as chữ Nôm and chữ Hán have largely fallen out of use. [5]
A Bảo Đại period document issued by the Imperial Clan Court which mentions the Tết Trung Thu. Tết Trung Thu originated from Chinese culture, with three main legends that are associated with the festival: the story of Chang'e and Hou Yi, Emperor Tang Ming Huang's ascent to the moon in China, and the story of Uncle Cuội of Vietnam.
The scholar Nguyễn Bỉnh Khiêm (aka Trang Trình, 1491–1585) was said to have used a Hòn non bộ to provide guidance while predicting the fate or destiny of others. [ 8 ] Hòn non bộ , as well as miniature plants and rocks, are mentioned in Đoạn Trường Tân Thanh , a thousand-page book by Nguyễn Du (1766–1820). [ 9 ]
Francis Nguyễn Trọng Trí, penname Hàn Mặc Tử (September 22, 1912 – November 11, 1940), was a Vietnamese poet.He was the most celebrated Vietnamese Catholic literary figure during the colonial era.
During the Republic of Vietnam, Phan Rang was the site of the United States Air Force's Phan Rang Air Base in the Vietnam War. The town was divided into Phan Rang in the east, which became part of Ninh Hải District and Tháp Chàm in the west, which became part of An Son district. The two were again combined in 1992 to become Phan Rang ...
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.