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Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists. Such a pattern may occur in nature and these effects are frequently emulated by artists.
Giulio Campagnola, The Astrologer, c. 1509, with areas such as the dark foreground, the man's bald head, and the tree trunks created by a burin stippling technique. An example of the mastery of coloured stipple engraving by Francesco Bartolozzi (1727–1815) Cupid Binding Aglaia to a Laurel, detail, after Angelica Kauffmann (1741–1807)
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
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The scholar Nguyễn Bỉnh Khiêm (aka Trang Trình, 1491–1585) was said to have used a Hòn non bộ to provide guidance while predicting the fate or destiny of others. [ 8 ] Hòn non bộ , as well as miniature plants and rocks, are mentioned in Đoạn Trường Tân Thanh , a thousand-page book by Nguyễn Du (1766–1820). [ 9 ]
During the Republic of Vietnam, Phan Rang was the site of the United States Air Force's Phan Rang Air Base in the Vietnam War. The town was divided into Phan Rang in the east, which became part of Ninh Hải District and Tháp Chàm in the west, which became part of An Son district. The two were again combined in 1992 to become Phan Rang ...
The origin of Hàng Trống painting dates back to the 16th century during the reign of the Lê dynasty.Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of Hanoi which is now the quarter between Hàng Trống, Hàng Nón, Hàng Hòm and Hàng Quạt streets.
What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The Later Le dynasty ( Vietnamese : Nhà Hậu Lê , 1428–1789), at that time musicians called Vietnamese : hát khuôn performed only on religious court ...