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Adon Olam by Irina Rosenfeld Adon Olam, with transliterated lyrics and melody, from the Jewish Encyclopedia.. Adon Olam (Hebrew: אֲדוֹן עוֹלָם; "Eternal Lord" or "Sovereign of the Universe") is a hymn in the Jewish liturgy.
Aleinu (Hebrew: עָלֵינוּ , lit. "upon us", meaning "[it is] our duty") or Aleinu leshabei'ach (Hebrew: עָלֵינוּ לְשַׁבֵּחַ "[it is] our duty to praise []"), meaning "it is upon us" or "it is our obligation or duty" to "praise God," is a Jewish prayer found in the siddur, the classical Jewish prayerbook.
Baruch atah Adonai Elohenu, melekh ha'olam, ha'tov ve'ha'metiv. Blessed are You, Lord, our God, King of the Universe, who is good and does good. For good news and positive experiences. Dayan ha'emet בָּרוּךְ אַתָּה יהוה אֱלֹהֵינוּּ מֶלֶךְ הַעוֹלָם, דָיַן הַאֱמֶת׃
Praise Adonai to whom praise is due forever! BAR’CHU et Adonai ham’vorach: Congregation (Line 2) בָּרוּךְ יְיָ הַמְבֹרָךְ לְעוֹלָם וָעֶד: Praised be Adonai to whom praise is due, now and forever! Baruch Adonai ham’vorach l’olam va-ed
"It's Only Make Believe" is a song written by drummer Jack Nance and Mississippi-born singer Conway Twitty, while they were touring across Ontario, Canada in 1958. Twitty was a relatively unknown rock n' roll singer at the time, and this song was his first hit, reaching No. 1 on the Billboard chart in November 1958 for two weeks.
The Rabbis' Sons is a Jewish music group that released most of its albums between 1967 and 1974. It consisted of Rabbis Baruch Chait (main composer, guitar), Label Sharfman (vocals), Itzy Weinberger (vocals) and Michael Zheutlin (vocals, composer, guitar, piano, other instruments), with David Nulman on steel guitar and Mickey Lane on bass fiddle.
The author draws from the rabbinic interpretation of the Song of Songs, suggested as linguistically originating in the 3rd century BCE, in which the maiden is seen as a metaphor for an ancient Jewish population residing within Israel's biblical limits, and the lover (dod) is a metaphor for God, and from Nevi'im, which uses the same metaphor. [6]
Adir Bimlukha (also known as Ki Lo Na'eh): This song makes no mention of Passover but recites, in each stanza, two majestic descriptions of God, followed by the designation of a multitude (scholars, the faithful, the angels, etc.) who praise Him, the three lines being in a continuing alphabet acrostic, with the refrain, "Thine and thine, thine ...