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The open-string notes form a C major chord, which is the triad (C,E,G) having the root note C, the major third (C,E), and the perfect fifth (C,G). When the guitar is strummed without fretting any strings, a C-major chord is sounded. By barring all of the strings for one fret (from one to eleven), one finger suffices to fret the other eleven ...
For the C major chord (C,E,G), the conventional left-hand fingering doubles the C and E notes in the next octave; this fingering uses two open notes, E and G: E on the first string; C on the second string; G on the third string; E on the fourth string; C on the fifth string; Sixth string is not played. [49] Major Chords (Guide for Guitar Chord ...
In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}. A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third.
Nashville notation or Nashville Number System [2] is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C-Major, the chord D-minor-seventh can be written as 2− 7, 2m 7, or ii 7.
Successive Z-related hexachords from act 3 of Wozzeck [4]: 79 Play ⓘ. In musical set theory, a Z-relation, also called isomeric relation, is a relation between two pitch class sets in which the two sets have the same intervallic content (and thus the same interval vector) but they are not transpositionally related (are of different T n-type ) or inversionally related (are of different T n /T ...
A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz , particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord.
A C major chord, the major triad built on the note C (C–E–G), is referred to as the one chord of that key and notated in Roman numerals as I. The same C major chord can be found in other scales: it forms chord III in the key of A minor (A→B→C) and chord IV in the key of G major (G→A→B→C).
So in the key of C, the Nashville Number System notation: 1 4 1 5 represents a four-bar phrase in which the band would play a C major chord (one bar), an F major chord (one bar), a C major chord (one bar), and a G major chord (one bar). Here is an example of how two four-bar phrases can be formed to create a section of a song.