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Typically, V=1.5 V, R=1 kΩ, C=47 μF. If a recorder provides plug-in power, and the microphone does not need it, everything will usually work well. In the converse case (recorder provides no power; microphone needs power), no sound will be recorded.
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
A series of docks released for the iPhone 5, 5s, and 5c, were announced and released on September 10, 2013. [3] The docks have an identical design, with an audio-out and Lightning-in port on the back, and a Lightning connector on the top. [4] One dock was released solely for the iPhone 5 and 5s, with another dock optimized for the iPhone 5c.
Photo: 2.5 mm mono (TS), 3.5 mm mono and stereo (TRS), and 1 ⁄ 4 inch (6.4 mm) stereo (TRS) phone connectors The most common microphone connector in consumer use is the venerable phone connector, in 1 ⁄ 4 inch (6.4 mm), 3.5 mm, and 2.5 mm sizes, and in both mono and stereo configurations.
The iPhone Stereo Headset was introduced in 2007 and was bundled with the original iPhone and iPhone 3G, and featured a control capsule in-line with the left earbud's wire with a microphone and a single button, actuated by squeezing the unit, which can be programmed to control calls, presentations, music and video playback, launch Siri, or take ...
Headphones that use cables typically have either a 1 ⁄ 4 inch (6.4 mm) or 1 ⁄ 8 inch (3.2 mm) phone jack for plugging the headphones into the audio source. Some headphones are wireless, using Bluetooth connectivity to receive the audio signal by radio waves from source devices like cellphones and digital players. [ 5 ]
In these cases, the purpose of the star quad configuration is reversed. The star-quad geometry partially cancels the magnetic fields that are produced by the two pairs of conductors. This cancellation reduces the magnetic emissions of the cable. To work properly, the cable must be wired in the same fashion as the microphone cable example above.
Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
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