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Improvisation et caprice for solo saxophone (1952)—Eugène Bozza; Tre Pezzi for soprano (or tenor) saxophone (1956)—Giacinto Scelsi [65] Introduction, Dance and Furioso (1959)—Herbert Couf; Partita for alto saxophone, Op. 99x (1968)—Alois Hába; Djiwa for solo saxophone (1971)—Laurence Wyman; Improvisation I (1972)—Ryo Noda
Scaramouche for alto saxophone and piano, Op. 53 No. 2 (1944) 12 Études-caprices for saxophone, Op. 60 (1944) Nuages, Scherzo for saxophone quartet (1946) Improvisation et caprice for saxophone solo (1952) Impromptu et danse for alto saxophone (or baritone saxophone) and piano (1954) Pièce brève for alto saxophone solo (1955)
[1] [2] Braxton performs the pieces on this album entirely on alto saxophone, with no additional musicians, instrumentation or overdubbing. Although other jazz musicians, such as Coleman Hawkins, Sonny Rollins, and Eric Dolphy, had recorded unaccompanied saxophone solos, [3] For Alto was the first jazz album composed solely of solo saxophone ...
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse.
His most recognizable performances include the saxophone introduction to "Turn the Page" [5] and the saxophone solo in "Old Time Rock and Roll".Reed also recorded the soundtracks for two of Jeff Daniels' films, and performed with many bands and musicians, such as Foghat, Grand Funk Railroad, Little Feat, Otis Rush, Enchantment, Jamie Oldaker, George Terry, Dave Mason, Spencer Davis, Tico ...
The alto saxophone is pitched in the key of E â™, smaller than the B â™ tenor but larger than the B â™ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music).
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