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A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture. In music of the common practice period , the composite rhythm usually confirms the meter , often in metric or even-note patterns identical to the pulse on a specific metric level.
The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo Half; used in combinations like mezzo forte (mf), meaning moderately loud mezzo forte (mf) Half loudly (i.e. moderately loudly). See dynamics. mezzo piano (mp) Half softly (i.e. moderately soft). See dynamics. mezzo ...
The pattern of the harmonic rhythm of a given piece of music, derived by noting the root changes as they occur, reveals important and distinctive features affecting the style and texture." [ 4 ] Strong harmonic rhythm is characterized by strong root progressions and emphasis of root positions, weak contrapuntal bass motion, strong rhythmic ...
Cross-rhythm. A rhythm in which the regular pattern of accents of the prevailing meter is contradicted by a conflicting pattern and not merely a momentary displacement that leaves the prevailing meter fundamentally unchallenged —New Harvard Dictionary of Music (1986: 216). [23] [24]
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
In Popular Cuban Music, Emilio Grenet defines in general terms how the duple-pulse clave pattern guides all members of the music ensemble. [21] An important Cuban contribution to this branch of music theory is the concept of the clave as a musical period , which has two rhythmically opposing halves.
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards