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Rollins Band was an American rock band formed in Van Nuys, California. The band was active from 1987 to 2006 and was led by former Black Flag vocalist Henry Rollins . They are best known for the songs " Low Self Opinion " and " Liar ", which both earned heavy airplay on MTV in the early-mid 1990s.
By 1999, recording for the next Rollins Band album commenced. In July 1999, Rollins Band went on a small eight show tour of the United States, where they previewed some of the new songs. [9] For the album, Rollins booked the band to record at Cherokee Studios in Hollywood. He would leave by himself every night at 6pm.
Get Some Go Again Sessions is a 2005 double album by the Rollins Band, although on this release it is credited to Henry Rollins & Mother Superior. [1]This album contains the original Get Some Go Again album plus the remaining tracks from session (previously released on their own as Yellow Blues), as well as two live tracks and two videos.
Henry Lawrence Garfield (born February 13, 1961), known professionally as Henry Rollins, is an American singer, writer, spoken word artist, actor, comedian, and presenter. . After performing in the short-lived hardcore punk band State of Alert in 1980, Rollins fronted the California hardcore band Black Flag from 1981 to 19
[2] [3] Rollins has said that he conceived several song lyrics and musical ideas on his way to band practice in New York. [3] In a 1997 interview, he further recalled that "a lot of the initial songs, like a big hunk of them, were written really fast. 'Volume 4', 'Fool', 'Disconnect', and 'Liar' were written in like two days.
A Nicer Shade of Red is a compilation album by the Rollins Band. [2] It was recorded at the same sessions that produced Nice , making it a companion piece to that album, and was released directly by Rollins' 2.13.61 label.
All songs written by Sim Cain, Melvin Gibbs, Chris Haskett and Henry Rollins US 7" single "Disconnect" – 4:31 "Disconnect" (Edit) – 4:57 US CS single (72787-25084) ...
In December 1992, music writer Chris Morris named it as one of his ten best records of 1992, praising the band for "pushing outside of the hard rock envelope." [ 25 ] A more negative review at the time came from the Pittsburgh Post-Gazette ' s Tony Norman, who in March 1992 called it a "step backwards in rock's self indulgent past".