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In rock music from the late 1960s to the 2000s, the timbre of specific sounds is important to a song. For example, in heavy metal music, the sonic impact of the heavily amplified, heavily distorted power chord played on electric guitar through very loud guitar amplifiers and rows of speaker cabinets is an essential part of the style's musical ...
The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...
In 1911, Arnold Schoenberg analyzed musical sound as consisting of pitch (höhe), timbre (farbe), and volume (stärke). He noted that pitch was the only element that had undergone close examination, but he viewed it as subordinate to timbre, "...tone becomes perceptible by virtue of tone color, of which one dimension is pitch".
Meyer lists melody, rhythm, timbre, harmony, "and the like" [12] as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". [13] According to McClellan, two things should be considered, the quality or state of an element and its change over time. [14]
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
Timbre, sometimes called "color" or "tone color" is the quality or sound of a voice or instrument. [97] Timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For example, a 440 Hz A note sounds different when it is played on oboe, piano, violin, or
A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics. Other factors are vocal weight, vocal tessitura, vocal timbre, vocal transition points, physical characteristics, speech level, scientific testing, and vocal ...
Musical notation frequently specifies alteration in timbre by changes in sounding technique, volume, accent, and other means. These are indicated variously by symbolic and verbal instruction. For example, the word dolce (sweetly) indicates a non-specific, but commonly understood soft and "sweet" timbre.