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The rebuilt Sawyer Homestead in Sterling, Massachusetts, built in 1756. Mary Elizabeth Tyler (née Sawyer; [1] March 22, 1806 – December 11, 1889) was an American woman who is believed to have been the "Mary" on which the nursery rhyme "Mary Had a Little Lamb" was based, a claim she stated at the age of 70.
The Italian, or the Confessional of the Black Penitents is a 1796 Gothic novel written by the English author Ann Radcliffe.It is the last book Radcliffe published during her lifetime (although she would go on to write the novel Gaston de Blondeville, it was only published posthumously in 1826).
Mary Tyler Mann (née Peabody; November 16, 1806 – February 11, 1887) was an American teacher, author, and reformer. Mary was one of three Peabody sisters who were influential women of their day in education, literature, and art.
The Italian may refer to: The Italian, a silent film by Reginald Barker; The Italian, a Russian film by Andrei Kravchuk; The Italian (Radcliffe novel), a novel by Ann Radcliffe; The Italian (Vassalli novel), a novel by Sebastiano Vassalli; The Italian, an album by Patrizio Buanne
Malombra (novel) A Man About the House (novel) Man on Fire (Quinnell novel) The Marble Faun; Mario and the Magician; The Matarese Circle; Matilda (Normanby novel) The Medici Seal; Medusa (Dibdin novel) Mirror, Mirror (novel) Montalbert (novel) The Moon and the Bonfires; The Mysteries of Udolpho; The Poet's Mystery
Mary Tyler Moore and her husband, Dr. Robert Levine, were married for more than 30 years before her death in 2017.. The beloved comedian revolutionized the role of the modern American woman ...
"The Italian Lesson," co-authored by Mary Trump, E. Jean Carroll and Jennifer Taub, is an unlikely book and genre for the trio, who are well known for their political and social commentary, as ...
Mary Tyler Moore (December 29, 1936 – January 25, 2017) was an American actress, producer, and social advocate. She is best known for her roles on The Dick Van Dyke Show (1961–1966) and especially The Mary Tyler Moore Show (1970–1977), which "helped define a new vision of American womanhood" [1] and "appealed to an audience facing the new trials of modern-day existence".