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Ashcan School artists and friends at John French Sloan's Philadelphia Studio, 1898. The Ashcan School was not an organized movement. The artists who worked in this style did not issue manifestos or even see themselves as a unified group with identical intentions or career goals. Some of the artists were politically minded, and others were ...
Artists associated with this movement, such as those in the Ashcan School, used a dark and muted color palette to emphasize the mood and atmosphere of the urban environment, reflecting the social, economic, and political challenges of modern city living.
Its dimensions are 40 + 1 ⁄ 4 by 42 + 1 ⁄ 8 inches (102 cm × 107 cm), and it is in the collection of the Los Angeles County Museum of Art, which acquired it in 1916. The painting is a representative example of the Ashcan School , a movement in early-20th-century American art that favored the realistic depiction of gritty urban subjects.
William James Glackens (March 13, 1870 – May 22, 1938) was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid down by the conservative National Academy of Design.
Everett Shinn (November 6, 1876 – May 1, 1953) was an American painter and member of the urban realist Ashcan School.. Shinn started as a newspaper illustrator in Philadelphia, demonstrating a rare facility for depicting animated movement, a skill that would, however, soon be eclipsed by photography.
The Whitney Museum published a biography of Bellows by fellow artist George William Eggers as part of the American Artists Series. In 1992 it mounted an extensive exhibition of his art (the exhibition was a joint venture with the Los Angeles County Museum of Art). [10] The Archives and Special Collections at Amherst College holds his papers.
Roden earned a 1986 BFA at Otis Art Institute, now Otis College of Art and Design, when it was located at MacArthur Park near downtown L.A. and affiliated with New York’s Parsons School of Design.
In 1916 Shore was a founding member of The Los Angeles Modern Art Society along with Bert Cressey, Meta Cressey, Helena Dunlap, Edgar Kellar and Karl Yens. Undoubtedly influenced by The Eight (Ashcan School) show in New York City, The Los Angeles Modern Art Society sought to give additional exposure to more experimental artists outside the ...