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Here Comes Peter Cottontail" is a popular secular Easter song composed in 1949 by Steve Nelson and Jack Rollins. They also wrote " Frosty the Snowman " in 1950. [ 1 ] Mervin Shiner was the first person to record the song, on Decca Records in 1950.
Walter Engle "Jack" Rollins (September 15, 1906 – January 1, 1973) was an American musician born in Scottdale, Pennsylvania and raised in Keyser, West Virginia. [1] Rollins wrote the lyrics to holiday favorites "Here Comes Peter Cottontail," "Frosty the Snowman," and "Smokey the Bear."
Here Comes Peter Cottontail is a 1971 Japanese-American Easter stop-motion animated television special produced by Rankin/Bass Productions, currently distributed by Universal Television and based on the 1957 novel, The Easter Bunny That Overslept, by Priscilla and Otto Friedrich. [1]
Lyrics usually include the line (or a slight variation): "The cuckoo is a pretty bird, she sings as she flies; she brings us glad tidings, and she tells us no lies." [ 1 ] [ 2 ] According to Thomas Goldsmith of The Raleigh News & Observer , "The Cuckoo" is an interior monologue where the singer "relates his desires — to gamble, to win, to ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
This was the third and final Rankin/Bass special about Easter. The first two were Here Comes Peter Cottontail (1971), narrated by Danny Kaye, and The First Easter Rabbit (1976), narrated by Burl Ives. The original airing of The Easter Bunny Is Comin' to Town on ABC in 1977 ranked No. 13 in the Nielsen TV ratings for that week. [5]
Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross. The 1941 Soundie gives the title as "Hot Chocolate", with "Cotton Tail" below it in parentheses and smaller letters, but this was likely done by the producer, as that title does not seem to appear anywhere else between ...
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...