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Between 1926 and 1929, he designed a “universal alphabet” to clean up the few multigraphs and non-phonetic spellings in the German language. For example, he devised brand new characters to replace the multigraphs ch and sch. His intentions were to change the spelling by systematically replacing eu with oi, w with v, and z with ts.
Typeface remains the groundwork for design concepts. The hallmark of early modern typography is the sans-serif typeface. "Because of its simplicity, the even weight of its lines, and its nicely balanced proportions, sans serif forms pleasing and easily distinguished word patterns — a most important element in legibility and easy reading."
Chomsky developed transformational grammar in the mid-1950s, whereupon it became the dominant syntactic theory in linguistics for two decades. [166] " Transformations" are syntactic rules that derive surface structure from deep structure , which was often considered to reflect the structure of meaning. [ 146 ]
A revolving type case for wooden type in China, an illustration shown in a book published in 1313 by Wang Zhen Korean movable type from 1377 used for the Jikji. Although typically applied to printed, published, broadcast, and reproduced materials in contemporary times, all words, letters, symbols, and numbers written alongside the earliest naturalistic drawings by humans may be called typography.
Altogether the return to the roots of book art become stronger around the start of the 20th century. It was initiated by British typographer, socialist, and private press publisher William Morris as well as by the Arts and Crafts Movement, which refers to him. Essentially this movement initiated three things: a return to the antiqua-models of ...
Working with J. G. I. Breitkopf in 1756, Fournier developed a new musical typestyle that made the notes round, more elegant, and easier to read. They quickly gained popularity in the music world. Ballard had previously had a monopoly in the printing of music, using comparatively crude methods.
Before computers were invented, and thus becoming computerized (or digital) typesetting, font sizes were changed by replacing the characters with a different size of type. In letterpress printing, individual letters and punctuation marks were cast on small metal blocks, known as "sorts," and then arranged to form the text for a page.
In historical linguistics, the wave model or wave theory (German: Wellentheorie) is a model of language change in which a new language feature (innovation) or a new combination of language features spreads from its region of origin, being adopted by a gradually expanding cluster of dialects.