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The perentie (Varanus giganteus) is a species of monitor lizard. It is one of the largest living lizards on earth , after the Komodo dragon , Asian water monitor , and the Crocodile monitor . [ 3 ] [ 4 ] Found west of the Great Dividing Range in the arid areas of Australia, it is rarely seen, because of its shyness and the remoteness of much of ...
The lace monitor (Varanus varius), also known as the tree goanna, is a member of the monitor lizard family native to eastern Australia. A large lizard, it can reach 2 metres (6.6 ft) in total length and 14 kilograms (31 lb) in weight.
Smaller goannas and the mighty perentie are often considered two different animals when appearing in aboriginal works, as in the story "How the Goanna and Perentie Got Their Colours". European settlers perpetuated several old wives' tales about goanna habits and abilities; some of these have persisted in modern folklore among campers and ...
"Colors of the Wind" is a song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 33rd animated feature film, Pocahontas (1995). The film's theme song , "Colors of the Wind" was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas .
Goanna is an Australian rock band which formed in 1977 in Geelong as The Goanna Band with mainstay Shane Howard as singer-songwriter and guitarist. The group integrated social protest with popular music and reached the Top 20 on the Australian Kent Music Report Singles Chart with "Solid Rock" (1982) and "Let the Franklin Flow" (released under the name Gordon Franklin & the Wilderness Ensemble ...
Yellow-spotted monitor (left), lace monitor (right) This ground dwelling monitor species, somewhat resembles the widespread sand goanna (Varanus gouldii).Large, dark spots appear in rows along its back, becoming especially distinct at the center of the back where they are interspersed with smaller and paler spots.
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Wati kutjara is one of the most important Dreamings around Balgo; [2] in Kukatja narratives, the Wati kutjara are often likened to the wind, whose form they adopt when in danger. [2] The men's first action is to sing about their names in order to establish their own identity. [ 3 ]