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An e-girl with typical fashion, makeup and gestures. E-kids, [1] split by binary gender as e-girls and e-boys, are a youth subculture of Gen Z that emerged in the late 2010s, [2] notably popularized by the video-sharing application TikTok. [3] It is an evolution of emo, scene and mall goth fashion combined with Japanese and Korean street ...
E-girls (sometimes stylized as E-Girls or e-girls; stands for Exile Girls) was a Japanese collective girl group created and managed by LDH while signed to music label Rhythm Zone from Avex. As of 2017, the band consisted of 11 members; 8 of which featured members of groups Happiness and Flower .
Their name is a portmanteau of the Japanese pronunciation of cool (クール), and deredere (でれでれ). [10] menhera (メンヘラ): A portmanteau of "mental health-er". The most common type is the menhera girls, who exhibit unstable emotionality, obsessive love, and stereotypical self-injurious behaviors such as wrist cutting. [17]
Gyaru (ギャル) pronounced [ɡʲa̠ꜜɾɯ̟ᵝ], is a Japanese fashion subculture for young women, often associated with gaudy fashion styles and dyed hair. [1] The term gyaru is a Japanese transliteration of the English slang word gal.
This doesn’t mean, like, the medal that someone’ receives for their service. (Though if you’re texting a grandparent, it definitely could be.) In today’s culture, the purple heart emoji ...
Moe (萌え, Japanese pronunciation: ⓘ), sometimes romanized as moé, is a Japanese word that refers to feelings of strong affection mainly towards characters in anime, manga, video games, and other media directed at the otaku market. Moe, however, has also gained usage to refer to feelings of affection towards any subject.
Otokonoko (男の娘, "male daughter" or "male girl", also pronounced as otoko no musume) is a Japanese term for men who have a culturally feminine gender expression. [1] [2] This includes, among others, males with feminine appearances, or those cross-dressing.
Ukiyo-e print by Suzuki Harunobu (1765). Oiran dancing, 2023. Oiran is a collective term for the highest-ranking courtesans in Japanese history, who were considered to be above common prostitutes (known as yūjo (遊女, lit. ' woman of pleasure ')) for their more refined entertainment skills and training in the traditional arts.