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Engravers Shaded (1906) Norwood Roman (1906), made for J. S. Cushing’s Norwood Press. Engravers Old English (1906), based upon Caslon Text and designed in association with "Cowan" or perhaps Joseph W. Phinney. [3] Engravers Old English Bold (1910) Clearface series, designed with the help of his father, Linn Boyd Benton. Clearface (1907)
Engravers Old English (1906, Benton), based upon Caslon Text and designed in association with "Cowan" or perhaps Phinney. Engravers Old English Bold (1910, Benton) Engravers Shaded (1906, Benton) Lithographic Shaded (1914, Benton + W. F. Capitian), a half-shaded version of Engravers Shaded. Engravers Text (1930, Benton) Flemish Black (1902 ...
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. [2]
The "Included from" column indicates the first edition of Windows in which the font was included. Included typefaces with versions ... Calisto MT [2] Serif ...
In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni (shown in the figure) includes fonts " Roman " (or "regular"), " bold " and " italic "; each of these exists in a ...
Daniel Berkeley Updike used another font of this type at his Merrymount Press where it was called "Mountjoye". [18] Morison, who corresponded extensively with Updike, was impressed with the typefaces' quality and after researching their history arranged for Monotype to develop a revival for Monotype's hot metal typesetting system, in ...
Monotype fonts were developed by the Monotype company. This name has been used by three firms. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry.
The 'a' is double-storey. Early fonts have a double-storey 'g' following British tradition and 215 and 216 a single-storey 'g' on the German model. Monotype Grotesque was somewhat overshadowed from the late 1920s due to the arrival of new sans-serifs such as Kabel, Futura and Gill Sans, also by Monotype. With their cleaner, more constructed and ...