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Small hooks called ori-kugi or posts called odome located on various places would help secure the chin cord. The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache , fierce teeth and a detachable nose.
The fangxiangshi (Chinese: 方相氏) or just Fangxiang was a Chinese ritual exorcist. His primary duties were orchestrating the seasonal Nuo ritual to chase out disease-causing demons from houses and buildings, and leading a funeral procession to exorcize corpse-eating wangliang spirits away from a burial chamber.
Nuo theatre is a kind of folk dramatic art that originated from folk religion. [4] In the Analects of Confucius, "villager Nuo" (or village Nuo) was mentioned.The Lüshi Chunqiu mentions that there was also a custom that whenever there was a celebration, grand Nuo (or royal Nuo) would be a necessity.
Bian Lian (traditional Chinese: 變臉; simplified Chinese: 变脸; pinyin: Biàn Liǎn; lit. 'Face-Changing') is an ancient Chinese dramatic art that is part of the more general Sichuan opera. Performers wear brightly colored costumes and move to quick, dramatic music.
Shang ding for food rituals celebrating ancestors. The surface is decorated with three taotie motifs – Victoria and Albert Museum, London. Although modern scholars use the word taotie, it is actually not known what word the Shang and Zhou dynasties used to call the design on their bronze vessels; as American paleographer Sarah Allan notes, there is no particular reason to assume that the ...
The facekini (Chinese: 脸基尼; pinyin: liǎnjīní) is a mask designed for swimmers and beachgoers that covers the head and face, revealing only the eyes, nose, and mouth. [ 1 ] [ 2 ] [ 3 ] The mask is made of stretchy fabric commonly used in bathing suits , [ 4 ] and comes in different colors and patterns. [ 5 ]
The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Being fully clothed is an expression of Chinese clothing culture, and compared to their Indian counterparts, the Chinese did not perceive the exposure of shoulders as a sign of respect. [14] The absence of right shoulder exposure started in northern China in order to shield the body from the cold and to fulfill the Chinese cultural requirements ...