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MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.
Strip-woven textile design: African fabric. Textile patterns, designs, weaving methods, and cultural significance vary across the world. African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual.
In the 1950s, they produced chalkware lamps, usually featuring paired male and female figures, and other home decor that is widely collected today. The company employed many immigrant artisans to design the chalkware and plaster figures and produce the statues, lamps, home decor pieces and display advertising figures. Jack's wife was from ...
In addition, there is a possibility to create designs with the plants by tearing or cutting the growing sheet and allowing it to heal to create a pattern made of scars on the textile. [13] The possibilities to use this textile in art installations is incredible because artists would have the ability to create a living art piece, such as Lee ...
Printed rayon challis fabric Crinkle rayon challis fabric. Challis, sometimes referred to as challie [1] or chally, [2] is a lightweight woven fabric, originally a silk-and-wool blend, which can also be made from a single fibre, such as cotton, silk or wool, [3] or from man-made fabrics such as rayon. [4]
The fabric had turned into peat, but was still identifiable. Many bodies at the site had been wrapped in fabric before burial. Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric. One kind of fabric had 26 strands per inch (10 strands per centimeter).
Here, multicolored swaths of plaid fabric were sewn together to craft these one-of-a-kind window treatments that are hung in panels at the ends and in the middle along the glassed wall.
In the late 1860s Morris began to experiment with a genre, textiles for furnishing or upholstery. His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles.